Four Tet took to his twitter tonight to announce (and drop) a collection of tracks under the name ‘Randoms’.
As the name suggests, ‘Randoms’ is not a collection of new material from the man otherwise nown as Kieren Hebden but rather a collection of rarities that is being described as a “sort of new album”. On the LP are various tracks created for compilations dating back in 1996, including a cover of Jimi Hendrix’ ‘Castles Made of Sand‘ for a LateNightTales release in 2004.
Pay what you want for the download via Bandcamp or stream it below
2. For These Times
3. Pockets (Minimal Version)
4. Gillie Amma I Love You
5. The Reservoir
6. Nothing to See
8. Both When I Am Alone and When We Both Are
9. Castles Made of Sand
Coming 28 August and entitled “XOXO,” is a new dance music centered film featured musical selections from the one and only Pete Tong.
You may recall last year when Tong penned a Billboard editorial asking, “Where Is EDM’s Saturday Night Fever?” and now it seems like he is doing his part to find it. Plot details are scare but the film follows six strangers as their worlds collide at an electronic music festival. The film is directed by Christopher Louie, written by Dylan Meyer and stars Graham Phillips, Sarah Hyland, and comedian, Chris D’Elia.
Though this film doesn’t necessarily sound too promisisng, Tong’s past music supervisor duties have yielded some find results, like Harry Brown, The Beach, 24 Hour Party People and It’s All Gone Pete Tong.
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Software drum machines aren’t kingmakers the way hardware is. So Bram Bos of Eindhoven is not a household name the way, say, certain hardware makers are. But back in the 90s, Bram’s HammerHead Rhythm Station was one of the first pieces of software that showed what a drum machine in software could be.
Flash forward to 2016. Bram is here with an iOS app that’s all drum synth – no samples. And while that puts it in a category with some other apps, it takes a slightly different approach.
First, Bram advertises it as “the most hands-on” option for iOS. The UI is designed like hardware – and that means literally. Bram was already prototyping hardware with a Raspberry Pi as the guts. So what you get in the iOS design is something that is, on screen, laid out and sized in the same way as hardware would be. That makes it very much unlike a plug-in to use, because you don’t just use the touchscreen as a window to a bunch of software parameters.
Second, though, it is really a plug-in. While there are other great instruments on iOS, like Elastic Drums (also a drum synth), Ruismaker operates as an AU plug-in. So that means you can drop it into software DAWs like Steinberg’s Cubasis or Apple’s GarageBand (each now pretty powerful options). I really hope Bram uses AU cross-compatibility and makes a desktop version, too, as I really like the idea of projects being portable between mobile and desktop. (Like the iPad as I do, sorry, the laptop is where stuff gets finished.)
Third, and actually the reason to use it, Bram has taken a very particular approach to sound. There’s a separate synth model for each instrument type, modeling the analog circuitry you would expect out of a drum machine. So you get a combination of models that’s particular to Bram’s own vision of how such an instrument should sound – and that’s good.
All of this comes together in a vision that’s really playable. Bram says he’s made it very efficient, so you can run lots of plug-in instances on your iPad, and still get low-latency audio.
If you’re curious about that hardware project and where it went (plus where it’s going), that’s covered in an elaborate blog post that I think will be interesting to developers.
Ruismaker — What’s happening [Medium @brambos]
But right now, this is another excellent choice for the iPad. And it’s just US$4.99.
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