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This section includes compiled posts from some of Lars Behrenroth's favorite (Deep) House and Tech blogs.
Copyright to each post is owned respectively by the author and issueing website.

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Weekend is 4 Lovers 46.0



Minxxxy’s Pick(s) of the Week
Pulse.136 – DJ Tennis: Download Here


Anja Schneider – Mobilee Rooftop Session Day 3 @ Silken Diagonal Barcelona – 2013-06-15




Dance’s Pick(s) of the Week
Matthew Dekay Live @ Soundslike Boat Party Dallas 04-05-2013


Lt.Dan @ E-Boded SeaSide OpenAir 27.7.13


Devin’s Pick(s) of the Week
Shir Khan’s Aqua Summer Mix inna Kuddel Muddel Style


WOA 018: Droog


Reisa’s Pick(s) of the Week
Golf Clap – deep house Amsterdam Mixtape #070


GDD™ Guest Mix: MANIK – Summer Minimix


Chasing Kurt – Exclusive Mix


Monaberry Podberry 07 – Format:B


Re.You – mobilee rooftop session – Sonar 2013 – Barcelona


Mr. C – Klubskascena Podcast


Jay Tripwire Electronic)Groove Podcast


DTP333 – Kyle Hall – Datatransmission


Deep Tech
mybeatFix presents Flying Circus Ibiza 04: Maher Daniel


Mano Le Tough – Warung Beach Club 27/07/2013


Bells & Whistles at AYLI w James Holden 6-21-13



Nitin Just Jack Podcast


Motek Podcast 001 – Matt Hardinge


Soul Clap – When deep house Was Deep


Chris Jylkke – LICK IT! (High in July Mixtape)


Melokolektiv’s Kolorz DJ Set


Nu Disco
BIS radio Show #688 with Psychemagik


Defected In The House radio 29.7.13 – Guest Mix Frankie Knuckles


Sanctuary Sessions #01: Pursuit


Buiten Westen Festival – Paardenkracht Stage (20.07.2013)


WOLF Presents… Mickey Duke – We Are Wolves Mix!


Freunde Von Freunden Mixtape #59 by Dirk Rumpff


Hip Hop Soul
Mark Ronson 40 min Boiler Room x Red Stripe Make Session mix


The post Weekend is 4 Lovers 46.0 appeared first on Music is 4 Lovers.

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We Travel The Space Ways: Hear Erika’s Stellar, Synth-y, Space-y Solo Debut [Listen, Video]


What if you would strip away the latest fashions, the murky layers of effects and gimmicks, and just get out to the otherworldly pleasure of listening to machines transport you into outer-space grooves?

The solo debut of Detroit-based artist Erika, Hexagon, could give you just that liberating feeling. It’s arrestingly minimal in its materials, not only because it’s been sequenced entirely on hardware with a single vintage sequencer, but because the tracks themselves are so beautifully economical and direct. And that makes them no less imaginative. Retro without succumbing to nostalgia, always with an alien-chic groove, Hexagon feels like an unironic return to roots.

Listen to excerpts on SoundCloud:
Erika – Hexagon Cloud 2xLP [IT 30] clips

Or watch the music video for “North Hex,” the visuals themselves a triumph of vintage hardware:

Erika “North Hex” from Interdimensional Transmissions on Vimeo.


This video is a single live take. Each tone in the song is sent to a different machine, including an array of computers, a WWII submarine oscilloscope, and one of 23 Rutt/Etra video synthesizers, all captured live, including real-time modulations, with the video production mirroring the way you would create music.
This video was created in the dvlab, the video studio of dvdan, by BMG & dvdan. Hand drawn images from Erika are incorporated to represent specific percussion tones. While the Rutt/Etra is usually used to transform scanned human likenesses, dvdan used his intuitive skills to create a unique patch that represents the lead synth tone.
There is no real narrative except what you might create in your imagination. The inspirations are from avant-garde animation (such as Oskar Fischinger) and avant-garde video work from the 20th century. We like to imagine an interdimensional being traveling from their dimension to ours via the gateway within the permanent hexagon shaped storm cloud at Saturn’s north pole.

If Juan Atkins could work with the ghost of Carl Sagan, this record would be a fitting soundtrack. “Early Warning Starfield” erupts with a dazzling flurry of glistening synths, channeling a Sun Ra improvisation. Then, the album takes on a sometimes-asymmetrical, always danceable ride into deep-interstellar post-acid techno.

Erika has been at this a long time, just not as a solo artist – a long-standing hardware improviser with Ectomorph, plus a figure behind Interdimensional Transmissions, she’s a cornerstone of what endures in Detroit. And her tendency to work improvisationally with the hardware keeps these rhythms from becoming overly mechanical, sticking to a jazz-like flow.

If you’re near Detroit, there’s a superb-looking party with her Ectomorph collaborator BMG and the always-lovely Derek Plasaiko, in from Berlin (and formerly holding down New York’s and Detroit’s own scenes), tag-team free-flow good-sound Saturday night at Exit 69. For Erika, just wait until August 17 as she joins an all-star lineup of Detroit mainstays.

For everyone else, more on the release:

Vinyl and digital available from online retailers like Hard Wax.

We hope to interview Erika soon, so if you’ve got questions for her, let us know. I’ll be sure to ask which BBS software she was running back in the day when she ran a board. (Betting on Wildcat.)

Remixed Hexagon Cloud:

And here’s Erika on New York’s favorite podcast, from techno haven The Bunker:

The post We Travel The Space Ways: Hear Erika’s Stellar, Synth-y, Space-y Solo Debut [Listen, Video] appeared first on Create Digital Music.

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Little White Earbuds July Charts 2013

Chart courtesy of The Economist

01. Osborne, “Hold Up (Feat. Joe Goddard)”
[Spectral Sound] (buy)

The return of Todd Osborn has been glorious. The Ann Arbor-based producer made such a strong impression on me with his mid-00s Osborne records for Spectral Sound — the Ruling EP, especially — that the strength of his 2013 releases for 7777 and Acoustic Division is a relief. “Hold Up” is a cut above these and many, many other 2013 releases. Pillowy soft vocals courtesy of Joe Goddard prove a splendid companion for Osborn’s plush instrumental, nestled in cushy Rhodes riffs and lit by the glowing synth lead buzzing overhead. Cavernous snare hits and a slowly stalking bass line round out the 80s influences, and at times the sweetly intricate tune bears some resemblance to Arthur Russell’s poppier moments. It’s also a song I haven’t been able to get out of my head since first hearing it, perhaps because I’ve been playing compulsively. This is potentially your most tender dance floor moment of the year just waiting to happen.

02. Ksoul & Muteoscillator, “Stinger”
[Dekmantel] (buy)

On the Soul Hell EP, Ksoul & Muteoscillator’s first release of 2013, the Italian producers take a great leap forward by offering three of their most memorable tracks to date. My favorite is also the one I’m most likely to play — the sweet and deadly “Stinger.” The duo’s gruff percussion plays bodyguard to a wispy yet urgent organ riff, shielding this vulnerable melody with aid of a grumbling bass. The scraping texture used as a rhythmic element throughout brings an unexpected grit where claps would often be. This core element emphasizes the track’s contrasts and actually furthers its dance floor utility. “Stinger” may not be the most sui generis of Ksoul & Muteoscillator’s work, but it’s their track I’d most like to hear played at nearly any point in a party. I won’t be surprised when it actually does, with a hat tip to Dekmantel.

03. Lee Jones, “A Perfect Kick”
[Watergate Records] (buy)

It’s generally a fool’s errand to guess what causes a producer like Lee Jones to not release new music for two years. Yet with an anticipated follow up entitled “The Perfect Kick,” it’s fair to speculate that fine tuning it may have played a part in his radio silence. Released by Watergate where he’s been a long time resident DJ, this single incorporates every signature sound and arrangement explored in his time making house music. There’s an easy confidence to “The Perfect Kick,” first in the rippling pools of aquamarine electric organ and appropriately punchy kick drum. The actual standout percussion here are the full bodied hi-hats which really carry the groove, although the English producer’s hallmark bass line shoulders its share. It’s just as arresting when Jones lets go of the rhythm, letting brief guitar leads, breathy vocals, and loose drum kit flourishes sop up the tension before shifting back into gear. Although I often encourage producers to challenge themselves stylistically, it’s respectable to stick to your wheelhouse when you do it better than most.

04. Lone, “Airglow Fires”
[R&S Records] (buy)

The above also applies to Lone. The guy just can’t help making stuff that sounds like him and only him. So far that’s been much to our benefit. “Airglow Fires” is the first dispatch since Matt Cutler’s well liked Galaxy Gardens LP of last year, but it just as easily could have fit somewhere in the prismatic madness of that album. So in-tune with his elements, Cutler wields his sparkling synth riffs, choral swells, and spoken punctuation like a ninja, darting as many directions as possible while staying in the house frame. For how rambunctious it is, “Airglow Fires” is surprisingly playable, although you have to be prepared for the left turn in the last 35 seconds, which suddenly leaves you bopping along on a gilded hip-hop beat. Portents for the near future? Perhaps, but I’d be just as happy if he kept finding intoxicating new ways to chop up the same ingredients.

05. Miguel Migs ft. Lisa Shaw, “Heartbeat”
[DFTD] (buy)

However many cool points I have to forfeit for liking this song are surely worth it. Miguel Migs, the prolific San Francisco producer with as much history with NRK Sound Division as OM Records and his own Salted Music, has hit a certain sweet spot with “Heartbeat.” Migs is in his element but renders his glossier, hand drum-clad house with less sheen and more concise melodies. Lisa Shaw is an obvious but welcome pairing, as it’s clear Migs knows how to complement her voice while she completes the song. Her soft and sassy vocals melt between the laser focused stabs and bounding bass line, buttering the groove of persistent hi-hats and stacked claps. And like that stack of pancakes you may be imagining now, it may be tough to resist the combination no matter how incredibly sweet and sugary it is. Even the DFTD label (Defected’s new digital imprint) shouldn’t scare you off. Even if DFTD reads more like “defeated,” this track suggests it’s not.

06. ItaloJohnson, “Untitled A1″ [ItaloJohnson] (buy)
07. Blondes, “Elise” [RVNG Intl.] (buy)
08. Terekke, “Amaze”
[Long Island Electrical Systems] (buy)

09. Jordan GCZ, “Crybaby J”
[Off Minor Recordings] (buy)

10. Julien H Mulder, “Won’t Say Nothing”
[Midnight Shift Records] (buy)

Staff Charts:

Brandon Bussolini
01. Redshape, “Bulp Head” [Delsin]
02. Gunnar Haslam, “Billowing Black Cloud”
[Long Island Electrical Systems]
03. Jordan GCZ, “Crybaby J” [Off Minor Recordings]
04. Beautiful Swimmers, “Running Over” [Future Times]
05. Mark Pritchard, “Duppies” [Warp Records]
06. Sabre, “Nightdrive to Bolland” [W.T. Records]
07. Shxcxchcxsh, “SLvrbbl” [Avian]
08. Blondes, “Elise” [RVNG Intl.]
09. Fred P, “Reach” [a Harmless Deed]
10. Ghosts On Tape, “No Guestlist” [Icee Hot]

Nick Connellan
01. Marcel Fengler, “Jaz” [Ostgut Ton]
02. John Roberts, “Shoes” [Dial]
03. Holy Garage, “Diver Down” [Running Back]
04. Fisherman, “Black Haze” [Kontra-Musik]
05. A5, “My Cat Can Play Weird Bass Solo” [Udacha]
06. Steven Tang, “Potential Light” [Smallville Records]
07. Jordan GCZ, “Crybaby J” [Off Minor Recordings]
09. Neurotic Drum Band, “Cardboard Wings” [You Are Hear]
10. Redshape, “Bulp Head” [Delsin]

Steve Kerr
01. Queens, “Frost Flowers” [Dial]
02. Lawrence, “Lucifer” [Dial]
03. Jane, “Wait” [not on label]
04. Steven Tang, “Interstice” [Smallville Records]
05. Aquarian Foundation, “Dream of the Red Chamber” [Going Good]
06. Big Strick, “How High” [7 Days Ent.]
07. Blondes, “Elise” [RVNG Intl.]
08. Leonid, “67 Jam” [Photic Fields]
09. Craig Leon, “Ring With Three Concentric Discs” [Superior Viaduct]
10. Gilberto Gil, “Flora” [WEA Music]

Dino Lalić
01. Red 7, “Lost My Shoes Acid” [not on label]
02. Golden Teacher, “Like A Hawk” [Optimo Music]
03. Jordan GCZ, “Crybaby J” [Off Minor Recordings]
04. DJ Rashad & DJ Spinn, “Brighter Days” [Hyperdub]
05. Prins Thomas, “Flau Pappadans” (DJ Fett Burger Tællekæll Mix) [Full Pupp]
06. Pharaohs, “Ahumbo” [ESP Institute]
07. Hailu Mergia, “Hari Meru Meru” [Awesome Tapes From Africa]
08. Helena Hauff, “Actio Reactio” [Werkdiscs]
09. The Mole, “Lockdown Party” (Sprinkles’ Crossfaderama) [Perlon]
10. Alex Coulton, “Too Much Talk” (Tessela Remix) [92 Points]

Chris Miller
01. Marcel Fengler, “Jaz” [Ostgut Ton]
02. Bookworms, “LIES030 B1″ [Long Island Electrical Systems]
03. Huerco S., “Apheleia’s Theme” [Future Times]
04. Demdike Stare, “Eulogy” [Modern Love]
05. o.utlier, “For One Of The Least (Main Pass)” [Naïf]
06. Aquarian Foundation, “Hardtalk” [Going Good]
07. Magic Mountain High, “Live At Freerotation” [Workshop]
08. Hank Jackson, “Deposit” [Mister Saturday Night]
09. Rashad Becker, “Themes 1″ [PAN]
10. NeoTantrik, “Parched Effigy (Cube3)” [Pre-Cert Home Entertainment]

Brandon Wilner
01. Jordan GCZ, “Crybaby J” [Off Minor Recordings]
02. Sabre, “Nightdrive to Bolland” [W.T. Records]
03. Oh, Yoko, “Seashore” (Sprinkle’s Ambient Ballroom) [Mule Musiq]
04. Huerco S., “Skug Commune” [Software Records]
05. Gunnar Haslam, “Culver Viaduct” [Long Island Electrical Systems]
06. Beautiful Swimmers, “New Balance” [Future Times]
07. Terekke, “Bank 3″ [Long Island Electrical Systems]
08. Less Monday, “Uhm Hey Acid!” [Crime City Disco]
09. The Royal Oberheims, “Crash Test Dummies” [City Fly Records]
10. Jee Day, “Sum of Love” [Beats In Space Records]

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