Lars Behrenroth's Next DJ GIG

Mar
02

DSoH #84 guestmix by Jason Schlossberg


Playlist DEEPER SHADES OF HOUSE #84
March 2nd 2005

first hour
artist - title - label
Ananda Project – Justice, Mercy (Abstract Jazz Lounge) – NiteGrooves
Everything but the girl – Five Fathoms (Kevin Yost Eveything but the groove Rmx) – Blanco y Negro
200 Sheep – The Hard Times March – Hard Times
Stacey Mallory – Afrikan Soul – Iwanai Music
Knu Fe – Seed (Beats) – Distant Music
Lars Behrenroth – Inflection – CD-R (unreleased)
Mutabaruka – Dis Poem (USG Rmx.) – Guidance
Markus Enochson – Crazy Pitch (Community Housin’ Rmx) – Flygaric Tracks
Seven Grand Housing Authority – Love’s got me high – Intangible
Slope feat. Ovasoul 7 – Nothing like this feeling (Komputa Groove album) – Sonar Kollektiv

Guestmix by Jason Schlossberg (Mad Dogs - NYC)
second hour

artist - title - label
West Magnetic – Give it up for free (Kaskade’s Vision) – Ultrasound Rec.
Rain People ft. Marcus Begg – Trippin’ on love (Louis Benedetti’s classic Vox) – Soulshine Rec.
Smitty & Davenport ft. Kandace – Spend the night (Marques Wyatt ‚Classic’ rmx) – Inspirit Music
The Wisemen ft. Michelle Harris – Ruffneck (83 West Dub (2) Mix) – Mi Casa Rec.
Mark Grant ft. Russoul – Girl with U (Mark Grant’s Orig Pass ‚Dub’ Jason S. Re-Edit) – Blackstone Rec.
Man Friday – Love Honey, Love Heartache (25th Anniversay Vocal Rmx.) – Vinylmania
Rupeski ft. Melanie Blatt – Dreaming About Tomorrow (G-Dubs ‚Guided by angels’ Reprise) – Drop Rec.
Moreno – Firebird (Nocturnal Club Mix) – Buzzin’ Fly
Julius Papp – Ain’t no sunshine - Excursions
end guestmix

Ovasoul7 – How’s Life (unreleased mix) – Nitegrooves
Hipp-E & Rob Paine – New beginnings (Beat Mix) – Large Music

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  • LarsLB and Dj SoulTool are now friends
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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