Lars Behrenroth's Next DJ GIG

Aug
05

DSoH #255 - guestmix by RYAN MISHKIN


Tuesday, August 5th 2008

Deeper Shades of House #255

1st hour
mixed by Lars Behrenroth

artist - title - label
Crusho - Someone To Love (Crusho Treatment) - Q-Tape
Canela  - Far & Deep - Maxime Rec.
Jay Tripwire - Deep In Tha Riddim - Seasons Limited
Nick Holder - Layin’ Low (Summer Daze EP) - DNH
Steffen Baldo - Basics - Supafeed
Westpark Unit - Goin’ Steady - Future Classic
Monika Kruse - When I Wake Up - Terminal M
Boo Williams & Demarkus Lewis - Rejuvenating Season (GU CVO Rmx) - Trippin’ Rec.
Brothers’ Vibe - Do You Feel The Vibe (Raw Skins Mix Unreleased) w/ Kerri Chandler ‘Back To The Raw’Acapella - Mixx
Stacey Mallory ft. Gerideau - Changes (Stacey’s Underground Mix) - Iwanai Music
Lovebirds - The Beat Goes Boom - Buzzin’ Fly

2nd hour
guestmix by Ryan Mishkin (Miami, Florida)

artist - title - label
Mlle Caro & Franck Garcia - Dead Souls (Radio Slave Remix) - Buzzin Fly
Dubshape - Spaced Out (Project No. 5) - 8Bit
Kawabata - Movin' On - Drumpoet Community
Pete Moss - City of Lost Souls (Stan Kolev Remix) - Recline
Sebastian Davidson - Great Taste Zero Sugar (Original) - Deepology Digital
Agent  Matteo - Cosmic underground (Daniel Kyo Eastern Mix) - Next Dimension
Nick Curly - Forecast (Original) - 8Bit
Ryan Mishkin - Magic City - Peppermint Hippo
Furry Phreaks with Terra Deva - All Over The World (Pasta Boys Dub) - Defected
Juho Kahilainen - Sleeping With The Lizards (Original Mix) - Bpitch Control
Manoo - Winter - Real Tone

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  • LarsLB and Dj SoulTool are now friends
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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