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radio showDSoH #25 guestmix by Yoko Matsuyama
Dec
27

DSoH #25 guestmix by Yoko Matsuyama


Tracklisting DEEPER SHADES OF HOUSE show #25

first hour

artist – title – label
Steal Vybe - Elements (NuJazz Reprise) (Steal Vybe EP) - Diaspora Rec.
Sara Devine - Take me home (Ciro Rmx.) - white
Atlantic Fusion - Define the future - Frontroom Rec.
Smooth Society - Escape from a restless world (Frankman Mix) - Auris Recordings
Classics of the week:
Master Freez - Feel dat funky groove (Liquid Dub) - Irma 1992
4 Most Poets - Reasons 2 B Dismal (Chapter One) - Tu Chicks (Nu Groove Re-Release)
----
John Kumahara feat. Martino - Paradise in the Sahara - Iwanai
Jinadu - Turning the tide (Broken Mix by Domu & Jinadu) - Bitches Brew
Monkey Brothers - Invisible (Club Mix) - Papa Records
Infinity feat. Malik - Back 2 Chicago (R.D. & Doc Link Short Drive Mix) - Kingstreet
Dennis Ferrer & Jerome Sydenham - Sandcastles - Ibadan

second hour
Guestmix by Yoko Matsuyama (Light 4 Lines, Japan) - http://www.light4lines.com

artist - title
Block 16 - Electrokution - Balihu Rec.
DJ Buck - Release a tention - Buck for Think Music
Chris Lum - Can we get connected - Nightshift Rec.
Anders Trentemoller - Champagne - Naked music
Alopha Motive - The Light - Wave Music
Blue 6 - Pure - Naked Music
Ananda Project - Bahia - Nite Grooves
end guestmix
---------------
Theo Parrish - Ugly Edits Vol. 5 - white
Jersey Street Allstars - Burnin’ (Raw Deal Rmx.) - Electric Soul
DSoH #26 guestmix by Paul 'Seiji' Dolby DSoH #24 guestmix by Chris Udoh
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  • LarsLB and Dj SoulTool are now friends
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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