Lars Behrenroth's Next DJ GIG

Apr
22

DSoH #240 - guestmix by RAFAEL MORAES


XM Radio - The Move
Tuesday, April 22nd 2008

Deeper Shades of House #240

1st hour
mixed by Lars Behrenroth

artist - title - label
Chris Santos & Boyd Jarvis - Boca - Novus 2001
Phlash & Friends - Look What We’ve Done - Archive
Fabio Genito - Undefined Feeling (Mahogany Mix) - Vega Rec.
KZR - Decay - NDATL
Tonecontrol - Illusion (Tonecontrol Mix) - Tone control records
Manuel Tur & DPlay - Deviate - Drumpoet Community
Chin Chin - Tout D’Amore (Prins Thomas Bogus Edit) - Dialect
Foog - 4040 - File Records
Lars Behrenroth - Ice On The Sun (Version Rmx) - Freerange Rec


2nd hour
guestmix by Rafael Moraes - Nomumbah, Brazil

# - artist - title
01 .Osunlade “My Reflections”*Manoo rmx*
02. Atjazz “Looking Glass”
03. Tikiman “Ruff Way”*Afefe Iku rmx*
04. Manuel Tur & D-Play “Conchord”
05. Jaymz Nylon Feat. Kyla Sexton “Lonely”*
Lars Behrenroth Deeper Shades rmx*
06. Dennis Ferrer “Touch the Sky”*Joe Claussel Beats*
07. Halo & Kemal feat. Arnold Jarvis “Lift me Up”
08. Jerome Sydenham & Willie Graff “Brokeback”
09. Bobby Magnifique “Be my number one”
*Rafael Moraes KIZUMBA edit*
10. Rocco “Stormy”
11. Karizma “Groovin’ Acordingly pt 02”


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  • LarsLB and Dj SoulTool are now friends
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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