Lars Behrenroth's Next DJ GIG

Dec
11

DSoH #221 - guestmix by JOJO FLORES


XM Radio - The Move
Tuesday, December 11th 2007

DSOH_221_head.gif

1st hour mixed by Lars Behrenroth

artist - title - label
Lanoiraude - Les Yeux Secs (Safari Through Unusual Layers Album) - Dialect Rec.
John Daly - Time Again - Wave Music
Omar S - Psychotic Photosynthesis  - FXHE Rec Promo
Marcel Wave - 27 Holton (Serafin Rmx) - Freerange
Basic Soul Unit - Tunnels - Mule
Phonogenic - Future Bass (Sasse Rmx) - Mood Music Digital
Quarion - Karasu (Deetron Rmx) - Drumpoet Community
Yass & Abicah Sole  - Yassoul - ???
Dazzle Drums - Elem (Kiko Navarro Reprise Alt) - Centric Rec
Christos Kedras - Little Dark Spot (Lars Behrenroth Deeper Shades Dub) - Kapa Music

  

2nd hour
exclusive guestmix by
jojoflores (Gotsoul / Therapy - Montreal)


artist - title - label
tracklist to follow shortly


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Posted: 4 years, 2 months ago by LarsLB #2376
donkey wrote:

tab Show # 221 is downloading #222:ohmy:


uhoh .. y'all got a preview for next week already ..
alright .. the link's fixed now .. enjoy
Posted: 4 years, 1 month ago by KountryFriedChicken #2389
youre weekly podcasts are always great! keep it up!

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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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