Lars Behrenroth's Next DJ GIG

Sep
27

DSoH #162 guestmix by Delmar Browne


Playlist DEEPER SHADES OF HOUSE #162

first hour
artist - title - label
The Invisible Session - Till The End (Panoptikum Rmx) - Schema
Bangana - Skrik - Heya Hifi
From P-60 - Slow Movements in the night - NiteGrooves
Shur-I-Kan - Fantasy (Trackheadz Rmx) - Freerange
Chris Brann - Keep it deep (Wamdue Back ‘N’ Da Daze Mix) - Kid Recordings
J-Man & Yenza Ft C King - Smile (John Kumahara Rmx) - UK Basic Records
Rocco - Roots 4 Acid - Buzzin’ Fly
DJ Genesis - Creatures of the Deep (Key to Life EP) - Women on Wax
Kerri Chandler ft. M.Bingham - In the Morning (Lost Dub) - Bigga Sounds


second hour
guestmix "The Global Remix" by Delmar Browne (delmarbrowne.com, New York)

artist - title - label
John Kumahara Feat. Martino  - Paradise in the Sahara  - IWANAI MUSIC
EAST WEST CONNECTION  - EAST WEST (East West Strip Down) - Chilli Funk Records
ANITA BAKER  - You're My Everything (DJ Spinna Remix)  - White Label
Audiomontage  - The Darkness  - Freerange Records
ABICAH SOUL PROJECT  - Bila  - Waako Records
MANOO  - PLEASE  - DEEPLY ROOTED HOUSE
MARATHON MEN  - " IN PARADISE " (TWITCHED UP MIX)   - JE NE SAIS QUO RECORDINGS
JILL SCOTT  - 'THE INTERLUDE' (Remixed by Bush)  - White Label  
LOLEATTA HOLLOWAY  - DREAMIN' (Jazz 'N Groove Club Mix)  - Salsoul Records
Angie Stone  - I Wasn't Kidding (Shelter Vocal)  - underground access
JASPER STREET COMPANY  - 'ANOTHER DAY' (DIM'S RE-EDIT)  - SUSU RECORDS
NATHAN HAINES featuring SHELLEY NELSON - BELIEVE (Kenny Dope Remix) - Chilli Funk Records
Julien Jabre  - Swimming Places (Sebastian Ingrosso Re- Edit)  - Defected Records
All tracks in this mix have been edited by Delmar Browne!

 

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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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