Lars Behrenroth's Next DJ GIG

Aug
23

DSoH #157 guestmix by Ingo Saenger


Playlist DEEPER SHADES OF HOUSE #157

first hour
artist - title - label
DJ Genesis - Key to Life - Women on Wax
Miquifaye & Café Soul All Stars - Body Music (Café Soul All Stars Re Rub) - You Entertainment
Hippsoul ft. Chill - Paradise (Club Mix) - Defected
Jarrier Modrow  - Rare Soul (e.deep Bossa Dub Mix) - Grooveland Music
Genetix ft. Shanchoy - Sunrise (Jason B Mix) - Shines
Spirit Catcher - Galactic Files (Fission Trips EP) - Winding Road
Jimpster - A love like this (Hipp-E Rmx) - Freerange
Foster - Kanona (Loud Minority EP) - Drumpoet Community
Jamie Lewis & Michael Watford - It’s over (83 West Vocal Mix) - Defected
Matt Flores - Anti Gravitation Kit - Farside Rec.

second hour
guestmix by INGO SAENGER (Farside Rec. / Germany)

artist - title - label
Westpark Unit - Grand Groove - Draft
Mahogany - Take a look at me now (Blackbeard Main Edit) - MAH001
Iken - Aspects - Real Soon
Harry Swinger - Double Decker (Kid Sublime Mix) - Rush Hour Ltd.
Coldcut & Robert Owens  - Walk a mile (Henrik Schwarz Mix) - Ninja Tune
Marcelino Galan - House & Art (Charles Webster Mix) - House Café Music
Herb LF - Tba - Farside Dub CD-R
I - cube - Tba - cd-r
Mute - Basics - Running Back
Rhythm & Sound - Free for all (Soundstream Mix) - Burial Mix
Westpark Unit - Loversclub - Farside
Mr V - Jus’ Dance (Quentin Harris Mix) - Vega Rec.
 

Share

Discuss this article
You need to log in or register to participate in this discussion.

Login



Login With Facebook

happening in the community:

  • LarsLB and Dj SoulTool are now friends
    friends 05:03 AM
  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
    profile 04:18 AM
 

QR Code for this page