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radio showDSoH #15 guestmix by Glyne Braithwaite
Oct
11

DSoH #15 guestmix by Glyne Braithwaite


Tracklisting DEEPER SHADES OF HOUSE show #15

first hour
artist – title – label
Donnie - Cloud 9 (Quentin Harris Shelter Mix) - Giant Step
Siji - Feels like (Osunlade Rmx.) - BBE
TALK - Touching you (Lars Behrenroth Subtle Koffee Dub) - Perfect Toy
Classics of the week:
Cloud 9 - Do you want me - SubUrban 1992
Tyrell Corp. - Going home (Saxy Mix) - CoolTempo 1992
---
Louie Vega - Africa / Brasil - Vega Records
Jazzinho - Yambou (Jazzinho album) - Ecco Chamber
Phuturistix - Beautiful (Bugz in the attic Rmx.) - Hospital
Stateless - Leave me now (Swell Session Rmx.) - Freerange
Cirque du soleil tapis rouge - Emballa (Llorca Rmx.) - Cirque du Soleil Musique

second hour
Guestmix by Glyne Brathwaite (Rude Awakening)
http://www.rude-awakening.com

artist - titel - label
Reel people feat. Jag - Second Guess(Blaze Vox) - Papa Records
Jay-J feat. Latrice Barnett - Summertime - Loveslap! Recordings
Jon Cutler feat. Luna - Alone - Distant Music
Miguel Migs - Music 4 Your Mind - Large Music
Panyard - Baby 3 Times (Sweet Abrahams Deep Tissue Rub) - Diaspora
Alexi Delano feat. Robert Manos - Round And Round (Metro Area Mix) - Distance
Ms Alto - Taste The Wine - Slang Recordings
Alison David - unknown - CDR

end guestmix
Soul Central - Song for sharma - Kenlou Records
Mama Razzi - Show me love (Richard Earnshaw Rmx.) - SuSu Records

DSoH #16 guestmix by Oli Lazarus DSoH #14 guestmix by Bjoern & Sascha Polanski
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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