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radio showDSoH #129 guestmix by Chris Woodward
Feb
01

DSoH #129 guestmix by Chris Woodward


Playlist DEEPER SHADES OF HOUSE #129
February 1st 2006

first hour
artist - title - label
 Status IV - You ain’t really down (Jazzanova’s Hey Baby Rmx) / The Remixes 2002 – 2005 - Sonar Kollektiv
Faze Action pres. Orto ft. Vanessa Freeman - Waiting for tomorrow (Orig mix) - Papa Rec.
Vivian Green - What is love (Yoruba Soul Mix) - CD-R
The Enigma - Esta Noche (CVO’s Tribute to Kraft work Mix) - Track Mode
Dennis Ferrer & Jerome Sydenham - The Undertow - Ibadan
Markus Worgull - Dragon Loop (Texel EP) - InnerVisions
Lukeshara - Fazzetta - Unreleased
Jon Cutler ft. Jocelyn Brown - One (Distant Down Mix) - Mn2s
Glenn Underground & DJ Ali - Your Nativity  - Philosophie Music

second hour
guestmix by Chris Woodward  (Buzzin’ Fly / London) - buzzinfly.com

artist - title - label
kayot - a week in cuba - buzzin’ fly
laid  - punch up (frankie feliciano original edit) - symple sound
kayot  - clear sky (manoo remix) - buzzin’ fly
leela james - my joy - unrestricted access
scott grooves project - the journey - studio of scott grooves
ame - rej - innervissions
mandy vs booka shade - body language - get physical
steve bug - been in glue - white
julien jabre - swimming places - elian
angie stone - i wasn’t kidding (shelter vocal) - unrestricted access

DSoH #128 guestmix by Paul Hackett DSoH #130 guestmix by Carlos Mena
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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