Lars Behrenroth's Next DJ GIG

Dec
28

DSoH #125 guestmix by Marcus Worgull


Playlist DEEPER SHADES OF HOUSE #125
December 28th 2005

first hour
artist - title - label
Rondenion - Machine Doll - Still Music
Theo Parrish - Capritorius - Sound Signature
Mute - Lost (Direct Cuts 2) - Running Back
LTG Exchange - Corazon (Re-Edit) - Underdog Edits Vol.Two
Jaymz Nylon - A-Side - Nylon Rec.
Selan - Gravity - Vega Records
Martino - Mars - Iwanai Rec.
Jovonn - Anybody - UK Basic
Liquid Dope - Krash - DopeWax

second hour
guestmix by Marcus Worgull (Innervisions Rec., Germany)

artist - title
Intro
Mental Overdrive - Diskodans (Prins Thomas Rmx)
Dan Bell - Warped / Elevate
Delano Smith - Message Für The Dj
Marcus Worgull - Dragon Loop
Kids In The Streets - Keep On Turning
Satoshi Tomiie - Tears (Beat Mix)  
Roy Ayers - Tarzan (Âme Rmx)
Âme - Rej
Louie Vega - V Gets Jazzy
Robert Owens - Always

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  • LarsLB and Dj SoulTool are now friends
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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