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Aug
24

DSoH #107 guestmix by James Sound


Playlist DEEPER SHADES OF HOUSE #107
August 24th 2005

first hour
artist - title - label
Alton Miller - Clouds are gone (Henrik Schwarz Repitch Dub) - Deeper Soul
Jestofunk - Mama Blues (Atjazz Rmx) - Irma Rec.
Ian Friday - Caribs Leap (Island Life EP) - Westend Blue
KB - El MusiCarib (I’lle Re - Edit) - CD - R
John Arnold - Geminade - Amalgama Rec
Markus Enochson - Club Possible (Radio Edit) - Sonar Kollektiv
Pete Mo - Walk South Central (Soullfields compilation) - Peng Rec.
Simon Grey - The Galactica Suite - Papa Rec.
Miquifaye - Keeping Time - Circular Motion

second hour
guestmix by JAMES SOUND (myhouse - yourhouse.net / Los Angeles)

artist - title - label
D&D Project - Beach Hit - Casadelsoul
Wes Park feat. Richard Brooks - Excited Souls - [Chorduroy
Urban Jazz Naturals - How Can I? (JT Donaldson Remix) - Gallery
Joey Youngman - I Like It - Freaked
Floetry - Say Yes (JT Donaldson Remix) - White
Lawnchair Generals - Stop Frontin' - Aroma
Anderson Soares - Solaris - CDR
Martin Venetjoki feat. Derek Conyer - Really Don't Stop (Lawnchair Generals Remix - Dust Traxx
No Assembly Firm - Tell Everybody - .dotbleep
B Team - Ain't It Funky - Odds & Ends
Stetsasonic - Talkin' All That Jazz (Old School Of Edits Dub) - White
Mettle Music - Latin Horns (Extended Mix) - Mettle Music

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  • LarsLB and Dj SoulTool are now friends
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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