Lars Behrenroth's Next DJ GIG

Aug
03

DSoH #104 guestmix by Fauna Flash


Playlist DEEPER SHADES OF HOUSE #104
August 3rd 2005

first hour

artist - title - label
Psoul - Time is coming (Yoruba Soul Dub) - Zoma Rec.
J.Kumahara & Martino - Paradise in the Sahara (K. Carjaval Rmx) - Iwanai Rec.
Soul Mecca Ft. Thi - Lai - Journey (Original Mix) - Capital Rec.
Marcos Valle - Besteiras De Amor (Jazzanova Rmx) - Far Out Rec.
Alex Attias - 10.000 Leagues Deeper (Trickski Rmx.) - Compost Rec
Rhythm Slaves - You will come around (Sweet Abraham Dub) - Diaspora Rec.
Kiko Navarro - Xel - Ha (Karizma Dub) - NiteGrooves
Simon Grey - The Galactica Suite (Original Mix) - Papa Rec.
Zuco103 - Conscience (Whaa! Album) - Ziriguiboom Rec.

second hour
guestmix by Fauna Flash (Compost Rec., Germany)

artist - title - label
Unkle - Reign (Morgan Geist Rmx)
Henrik Schwarz - Leave my head alone brain
Recloose ft. Joe Dukie - Dust
Alexander East - Phonique (I:cube Rmx.)
Logan - Unknown (Charles Webster Rmx.)
Ame - Engoli
John Tejada - Paranoia
Funk Davoid - Can’t get enough (Steve Bug Rmx.)
Depeche Mode - Enjoy the silence (Timo Maas Extended Rmx)

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  • LarsLB and Dj SoulTool are now friends
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  • MKL
    Jan Groover (b. 1943, Plainfield, New Jersey) was an American photographer who lived for many years in Montpon-Menesterol, France, with her husband, painter and critic Bruce Boice. She died in 2012.

    Groover received a Bachelor of Fine Arts degree in 1965 from Pratt Institute, and a Master of Arts in 1970 from Ohio State University.

    Groover was noted for her use of emerging color technologies. In 1979, Groover began to use platinum/palladium prints for portraits and still lifes, transforming everyday items into beautiful, formal still lifes. In 1987, critic Andy Brundberg noted in the New York Times, "In 1978 an exhibition of her dramatic still-life photographs of objects in her kitchen sink caused a sensation. When one appeared on the cover of Artforum magazine, it was a signal that photography had arrived in the art world - complete with a marketplace to support it."

    Groover also used early 20th century camera technology, such as the banquet camera, for elongated, horizontal presentations of otherwise pedestrian items. In a New York Times review of Groover's work exhibited at the Janet Borden Gallery, New York, in 1997, critic Roberta Miller called Groover's work "beautiful and masterly in the extreme."

    Jan Groover's work was the subject of a mid-career retrospective at the Museum of Modern Art in 1987, for which an accompanying catalogue was printed. Her work has also been the subject of one-person exhibitions at the Baltimore Museum of Art; Cleveland Museum of Art; the Corcoran Gallery of Art, Washington, DC; and the International Museum of Photography, George Eastman House, Rochester, New York.
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